Dr. phil. Martin Riedelsheimer
Phone: | +49 821 598 - 5750 |
Email: | martin.riedelsheimer@philhist.uni-augsburg.de |
Room: | 4039 (D) |
Address: | Universitätsstraße 10, 86159 Augsburg |
Office Hours
During the winter semester 2022/2023:
- Wednesday: 2.00 pm - 3.00 pm
Please register via Digicampus at least a day beforehand!
Academic Curriculum Vitae
- 2007-2013| Undergraduate/graduate studies at the University of Augsburg and the University of Newcastle upon Tyne: English (literature and linguistics), mathematics and educational science
- 2013| State exam (teaching degree) in English and mathematics
- 2019| PhD, University of Augsburg (“The Fiction of Infinity: Ethics in the Contemporary Novel”)
Scholarships
- 2007-2013| Max Weber-Program of the State of Bavaria
- 2008-2013| Studienstiftung des deutschen Volkes (German Academic Scholarship Foundation)
Publications
2022 |
Riedelsheimer, Martin (2022): Book Review: Hogg, Emily J.; Simonsen, Peter (eds.). Precarity in Contemporary Literature and Culture. London/New York: Bloomsbury Academic, 2021. In: Kritikon Litterarum 49 (3-4), S. 375-380. DOI: 10.1515/kl-2022-0047 BibTeX | RIS | DOI |
Middeke, Martin; Riedelsheimer, Martin (2022): Co-mutability, nodes, and the mesh: critical theatre ecologies – an introduction. In: Journal of Contemporary Drama in English 10 (1), S. 2-25. DOI: 10.1515/jcde-2022-0002 PDF | BibTeX | RIS | DOI |
Riedelsheimer, Martin (2022): Ecology and the ethical milieu: a Levinasian ecological reading of Joe White's Mayfly. In: Critical Stages / Scènes critiques (26). PDF | BibTeX | RIS | URL |
Middeke, Martin; Riedelsheimer, Martin (Hg.) (2022): Journal of Contemporary Drama in English: Special Issue - Critical Theatre Ecologies. Berlin: de Gruyter. BibTeX | RIS | URL |
Riedelsheimer, Martin (2022): Revolution, satire and staging dissensus: Alice Birch's Revolt. She Said. Revolt Again. and Marlene Streeruwitz's Mar-a-Lago. oder. Neuschwanstein. In: Litteraria Pragensia 32 (63), S. 8-23. DOI: 10.14712/2571452x.2022.63.2 PDF | BibTeX | RIS | DOI |
2021 |
Riedelsheimer, Martin (2021): Book Review: Baylee Brits. 2017. Literary infinities - number and narrative in modern fiction. New York/London: Bloomsbury. In: Anglia 139 (1), S. 258-263. DOI: 10.1515/ang-2021-0016 PDF | BibTeX | RIS | DOI |
Riedelsheimer, Martin; Ries, Eva (2021): This narrator nothing affirms, therefore he lies? Truth-speaking and discursive power in Teju Cole's Open City. In: Monika Fludernik, Stephan Packard (Hg.): Being untruthful: lying, fiction, and the non-factual. Baden-Baden: Ergon (Faktuales und fiktionales Erzählen ; 9), S. 305-322. BibTeX | RIS |
2020 |
Riedelsheimer, Martin (2020): Fictions of Infinity: Levinasian Ethics in 21st-Century Novels. Dissertation, Universität Augsburg, Berlin: De Gruyter. DOI: https://doi.org/10.1515/9783110712407 BibTeX | RIS | DOI |
2017 |
Riedelsheimer, Martin; Stöckl, Korbinian (2017): The mobility of suffering: cosmopolitan ethics in Debbie Tucker Green’s plays. In: Journal of Contemporary Drama in English 5 (1), S. 112-125. DOI: 10.1515/jcde-2017-0009 PDF | BibTeX | RIS | DOI |
Riedelsheimer, Martin (2017): Vulnerability and the community of the precarious in David Greig's "The Events". In: Mireia Aragay, Martin Middeke (Hg.): Of precariousness: vulnerabilities, responsibilities, communities in 21st-century British drama and theatre. Berlin: de Gruyter (Contemporary Drama in English Studies ; 28), S. 203-216. DOI: 10.1515/9783110548716-014 PDF | BibTeX | RIS | DOI |
2015 |
Amossy, Ruth (2015): Das Ethos des Wissenschaftlers im Spannungsfeld von Neutralität und Engagement. In: Ralf Klausnitzer, Carlos Spoerhase, Dirk Werle (Hg.): Ethos und Pathos der Geisteswissenschaften: Konfigurationen der wissenschaftlichen Persona seit 1750. Berlin: de Gruyter (Historia Hermeneutica - Series Studia ; 12), S. 321-350. DOI: 10.1515/9783110375008-015 BibTeX | RIS | DOI Übersetzt von Martin Riedelsheimer und Stefan Mordstein |
Talks
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“Textual Performances of Affect in John Donne.” Reception and Emotion: The Thirteenth Biennial ANZAMEMS Conference, Perth / online, 27-30 June 2022.
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“Impossible Fictions of Infinity: Reading Beyond Boundaries in 21st-Century Novels.” Impossible Fictions. 2nd International Congress of the International Society for Fiction and Fictionality Studies / Société internationale d’études sur la fiction et la fictionnalité (ISFFS/SIRFF). Chicago, 2–5 March 2022. [Awarded with the ISFFS/SIRFF Prize]
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“Ecology and the Ethical Milieu: Reading Contemporary Eco-Drama with Levinas.” Philosophy and Literature Symposium. University College Dublin, 8 October 2021.
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“Satire, Revolution and the Problem of Staging Dissensus: Alice Birch’s Revolt. She Said. Revolt Again. and Marlene Streeruwitz’s Mar-a-Lago. oder. Neuschwanstein.” Dialogue, Performance and the Body Politic in the Twenty-First Century. Charles University Prague, 5–6 February 2021.
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[with Eva Ries:] “This Narrator Nothing Affirmeth, Therefore He Lieth? Constructions of (Un)Truth in Teju Cole’s Open City.” Lying and Related Fictions. Albert-Ludwigs-Universität Freiburg, 15–16 February 2019.
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Panel Chair: Panel on "Tragedy and Cultural Revisions". Tragedy in American Drama and Theater: Genre, Mediality, Ethics. Universität Augsburg, 1-3 June 2017.
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[with Korbinian Stöckl:] "The Aesthetics of Materiality in debbie tucker green’s Cosmopolitan Plays." GAPS Conference: The Postcolonial and the Material. Augsburg, 5 May 2016.
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[with Korbinian Stöckl:] "Cosmopolitan Mobilization in debbie tucker green’s Theatre." CDE Conference: Theater and Mobility. Eichstätt, 29 May 2016.
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Panel Chair: Panel on „Genre/s in Poetry”. Poem Unlimited: New Perspectives on Poetry and Genre. Universität Augsburg, 1-3 October 2015.
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“Vulnerability and Precariousness in David Greig’s The Events.” University of Barcelona, 16 September 2014.